论文标题
在舞台上罢工：打击乐和媒体表演
Strike on Stage: a percussion and media performance
论文作者
论文摘要
本文介绍了舞台上的罢工，界面和相应的视听表演工作于2010年由打击乐手和媒体艺术家Chi-Hsia Lai和Charles Martin开发和进行。舞台上的罢工概念是将计算机视觉效果和声音整合为即兴打击乐的性能。大型投影表面直接位于表演者后面，而计算机视觉系统则跟踪其运动。该设置允许计算机可视化和超声化直接响应，并与表演者的手势统一。
This paper describes Strike on Stage, an interface and corresponding audio-visual performance work developed and performed in 2010 by percussionists and media artists Chi-Hsia Lai and Charles Martin. The concept of Strike on Stage is to integrate computer visuals and sound into an improvised percussion performance. A large projection surface is positioned directly behind the performers, while a computer vision system tracks their movements. The setup allows computer visualisation and sonification to be directly responsive and unified with the performers' gestures.
