论文标题

在深度学习和概念艺术的交汇处:签名的终结

At the Intersection of Deep Learning and Conceptual Art: The End of Signature

论文作者

Shanmugam, Divya, Lewis, Katie, Gonzalez-Ortiz, Jose Javier, Kurant, Agnieszka, Guttag, John

论文摘要

麻省理工学院想委托一项大型艺术品,该艺术品将“照亮新的校园门户,在麻省理工学院和剑桥之间建立一个交流的空间,并激发我们的学生,教职员工,游客和周围社区以新的方式与艺术互动,并使艺术成为他们日常生活的一部分。除其他事项外,艺术是反映了这样一个事实,即科学发现通常是许多个人贡献的结果,无论是公认还是未被承认。在这项工作中,一组计算机科学家与概念艺术家合作,以产生集体签名或从整个社区的贡献中学到的签名。在从两个社区(大学和周围城市)收集了签名之后,计算机科学家开发了生成模型和人类的反馈过程,以与艺术家合作创建了一个代表每个社区的原始签名式结构。这些签名现在是大规模的钢,LED和霓虹灯雕塑,似乎在马萨诸塞州剑桥签署了两座新建筑。

MIT wanted to commission a large scale artwork that would serve to 'illuminate a new campus gateway, inaugurate a space of exchange between MIT and Cambridge, and inspire our students, faculty, visitors, and the surrounding community to engage with art in new ways and to have art be part of their daily lives.' Among other things, the art was to reflect the fact that scientific discovery is often the result of many individual contributions, both acknowledged and unacknowledged. In this work, a group of computer scientists collaborated with a conceptual artist to produce a collective signature, or a signature learned from contributions of an entire community. After collecting signatures from two communities -- the university, and the surrounding city -- the computer scientists developed generative models and a human-in-the-loop feedback process to work with the artist create an original signature-like structure representative of each community. These signatures are now large-scale steel, LED and neon light sculptures that appear to sign two new buildings in Cambridge, MA.

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