论文标题
在字符串集合记录中的软on的注释
Annotation of Soft Onsets in String Ensemble Recordings
论文作者
论文摘要
发作检测是识别音频录制中音符事件的起点的过程。虽然检测打击乐器的检测通常被认为是解决问题的问题,但柔软的onset-nset-of string仪表记录中发现,对最新的算法构成了重大挑战。对于包含专家注释的数据和研究,与策划弦乐器软性发作注释相关的数据的数据稀少,这一问题进一步加剧了问题。为此,我们研究了24名参与者之间的通道间一致性,扩展了一种用于确定最一致的注释者的算法,并比较人类注释者的性能和最新的发作检测算法。实验结果揭示了与自动系统相比,音乐经验与通道间一致性和性能之间的积极趋势。另外,发现指法以及大提琴的变化产生的洋洋意对于人类注释者和自动方法都特别具有挑战性。为了促进针对软on的最佳实践研究的研究,我们已将与这项研究公开相关的所有实验数据公开提供。此外,我们发布了Arme Virtuoso字符串数据集,其中包括Haydn的String Quartet op的144多个录音录制的录音。 74 No. 1结局,每个结局都有相应的单个仪器发作注释。
Onset detection is the process of identifying the start points of musical note events within an audio recording. While the detection of percussive onsets is often considered a solved problem, soft onsets-as found in string instrument recordings-still pose a significant challenge for state-of-the-art algorithms. The problem is further exacerbated by a paucity of data containing expert annotations and research related to best practices for curating soft onset annotations for string instruments. To this end, we investigate inter-annotator agreement between 24 participants, extend an algorithm for determining the most consistent annotator, and compare the performance of human annotators and state-of-the-art onset detection algorithms. Experimental results reveal a positive trend between musical experience and both inter-annotator agreement and performance in comparison with automated systems. Additionally, onsets produced by changes in fingering as well as those from the cello were found to be particularly challenging for both human annotators and automatic approaches. To promote research in best practices for annotation of soft onsets, we have made all experimental data associated with this study publicly available. In addition, we publish the ARME Virtuoso Strings dataset, consisting of over 144 recordings of professional performances of an excerpt from Haydn's string quartet Op. 74 No. 1 Finale, each with corresponding individual instrumental onset annotations.